A group of 85 Arab youth travelling from different parts of the Arab world have succeeded to play in harmony impressing everyone by their professionalism, sensuality and unity at their concerts held in Syria, Germany and Algeria.
Although there are several youth orchestras, this is the first pan-Arab orchestra, and it includes musicians from 11 Arab countries.
“This is a new league of Arab states,” said the ambassador of Yemen describing the Arab Youth Philharmonic Orchestra (AYPO) after attending its concert in Germany 2007.
“I thought the idea of the Arab orchestra could do what the politics has failed to do in uniting the Arab world,” said Fawzy El-Shamy the founder and the manager of AYPO and professor of the Academy of Arts, Cairo.
AYPO is a “dream” of El-Shamy. Its idea was born from El-Shamy thinking of many youth orchestras, like the Bremen International Youth Orchestra, the West-East Divan Youth Orchestra of Daniel Barenboim, and others.
Why not, he thought, create a youth orchestra of Arabs?
During 2004, El-Shamy discussed the idea with several music institutes, which agreed to the approach. El-Shamy travelled throughout the Arab world, holding auditions at conservatories, and selected “the best students” from all over the Arab world.
Egypt, Syria, Lebanon, Jordon, Tunisia, Algeria, Palestine, Sudan and Kuwait are the Arab countries rooting members participating in AYPO.
On the other side, Saudi Arabia, the United Arab Emirates and Yemen are the only Arab countries not participating in the orchestra.
“There are no musical institutions in Saudi Arabia,” said El-Shamy explaining why this country is out of his music note. “Also, the musical institutions at Yemen and United Arab Emirates are very poor,” he added.
AYPO has started its concerts in 2006 performing one season a year stated El Shamy. He also asserted that all orchestras do the same thing.
El-Shamy wished to perform the first concert in Egypt, but things did not work out. Financial as well as cultural problems hindered the concert from taking place in Egypt.
Accordingly he turned his head to Syria. The Cultural Minister, Prof. Dr.Riyad Nassan Agha was impressed with the idea of the Arab Orchestra and said that it is their honor to host the first season of AYPO.
Permanent sponsors of AYPO are the University of Gutenberg in Sweden and the Swedish International Development and Cooperation Agency (SIDA).
Moreover, the Ministry of Culture of Syria, the German Academic Exchange Service in addition to the Ministry of Culture of Algeria have financially supported the orchestra only during its performance on their land.
Their first concert, which took place in Damascus at the height of the Israeli war on Lebanon, was described by Professor El-Shamy as an expression of solidarity with the Lebanese people. Accordingly, the orchestra donated the income of the concert to support war sufferers.
Meanwhile their second concert in Damascus took place in the beautiful Dar al Asad Opera House. The program there included works by a Lebanese composer Marcel Khalifa, an Egyptian composer Gamal Abdul Rahi, and the 8th Symphony of Antonin Dvorak.
In 2007, AYPO season two was held in Germany celebrating the anniversary of the death of the great composer Robert Schumann. The orchestra presented its European premier at Bonn University with a program including a modern piece of Arab music composed in the Classical style as well as the European classics.
AYPO German’s season gave a professional image of the Arabs. “It emphasized that the Arabs are united and are opened to other cultures,” El-Shamy said proudly.
Algeria’s National theatre was the place hosting the AYPO third season in November 2008. The minister of culture paid accommodation as well as internal transportation expenses.
The concert was a great success.
El-Shamy said happily, “twelve local newspapers in addition to two international newspapers have covered our concert.”
The eighty five members meet yearly in the place where their season is planned to rehearse together for a period of two to three weeks for nine continuous hours. To ensure professional performance as well as reducing rehearsal period, “the music notes are sent to each member to work on it individually before their gathering,” El-Shamy said.
Several attempts were made by the Arabs to present arts in pan Arab groups, one the most famous works is the popular song El-Helm Al-Arabi.
Both are composed of a big number of artists presenting music. However the orchestra can’t perform unless all its members are working together at the same time and at the same place. While El-Helm Al-Arabi song is recorded, each singer could sing his part from his country and all parts be added together.
AYPO prepares young musicians for their professional career. Some students quit the orchestra as they graduate from college to concentrate in their profession.
The success of AYPO shed the light on the hope that the Youth are more tolerant and more capable of Arab unity than the political leaders or the elder generation.
“My dream has not been fully fulfilled yet because the orchestra still needs more media coverage on the national and the international level,” El-Shamy said hoping that the coming years bring appreciation to such great efforts which combines arts and politics with humanity.